Auditioning At CTL
The Community Theatre League is holding open auditions for
THE LITTLE MERMAID
Audition Information:
Audition Dates: November 23 @10AM
AUDITIONS FOR KIDS AND TEENS (anyone under the age of 18)
November 24 & 25 @7PM
AUDITIONS FOR ADULTS (18+)
Performance Dates: March 28, 29, 30 2025
Director: SETH SPONHOUSE (he/him)
Music Director: MARISA SORRENTINO HICKEY (she/her)
Choreographer: KATIE CONKLIN (she/her)
Dive under the sea with Ariel in The Little Mermaid! This enchanting musical brings the beloved Disney film to life with all your favorite songs, including “Kiss the Girl,” “Part of Your World,” and “Under the Sea.” Ariel dreams of being where the people are, and when she makes a deal with the sea witch Ursula, her world turns upside down. But with the help of her friends, she might just find her voice and true love.
Featuring stunning visuals, magical underwater effects, and heartwarming music, The Little Mermaid is a journey “beyond your wildest dreams.” Don’t miss this unforgettable adventure where you’ll “believe in magic, right here on the ocean floor!”
What to Prepare For Your Audition:
- Prepare one of the following song selections. See music PDFs – either find a track to sing with and bring with you to auditions or be prepared to sing with a track provided by the production staff.
- KIDS
- Under The Sea
Sheet music
- Under The Sea
- ADULTS
- Her Voice
Sheet music - Part of Your World
Sheet music - Poor Unfortunate Souls
Sheet music - Positoovity
Sheet music - She’s In Love
Sheet music - Tirton’s Lament
Sheet music - Under The Sea
Sheet music
- Her Voice
- Please dress comfortably and be ready to move for a dance/movement audition.
- Pages of the script will be passed out at the auditions to read for specific roles.
Available Roles Kids:
FISH ENSEMBLE: To be featured in numerous numbers including but not limited to, Under the Sea and Kiss the Girl.
Available Roles Adults:
ARIEL
Gender: Female
Age: 18-30
Description: A mermaid and King Triton’s youngest daughter. She is curious about the human world and dreams of becoming part of life above the water. Pragmatic, trusting, kindhearted, and passionate.
Vocal Range: Bb3-Eb5
PRINCE ERIC
Gender: Male
Age: 18-30
Description: A human monarch with little interest in taking the crown. Adventurous and a risk-taker. After Ariel saves his life, he becomes determined to find his rescuer.
Vocal Range: B3-D5
KING TRITON
Gender: Male
Age: 35-55
Description: King of the Sea and Ariel’s father. Beneath his imposing presence and commanding nature is a harried single father who will do anything to protect his daughters. The death of his wife has instilled in him an irrational fear of humans.
Vocal Range: Ab2-F4
SEBASTIAN
Gender: Any
Age: 20-30
Description: A crab and advisor to King Triton. A musical virtuoso often distraught from keeping after Ariel. Though paranoid, he ultimately cannot stand in Ariel’s way.
Vocal Range: Bb2-C5
FLOUNDER
Gender: Any
Age: Must play as a young teen.
Description: A fish who is smitten with Ariel, his best friend. Rambunctious yet cautious, often fearful of the dangers that lurk both in and above the water.
Vocal Range: A2-G4
SCUTTLE
Gender: Any
Description: A seagull and an expert in human artifacts.
Vocal Range: B3-E5
FLOUNDER
Gender: Any
Age: Must play as a young teen.
Description: A fish who is smitten with Ariel, his best friend. Rambunctious yet cautious, often fearful of the dangers that lurk both in and above the water.
Vocal Range: A2-G4
URSULA
Gender: Female
Age: 30-50
Description: The manipulative sea witch determined to overthrow King Triton. Cunning and devious, willing to stop at nothing to get what she wants.
Vocal Range: F3-C#5
FLOTSAM
Gender: Any
Age: 20s-30s
Description: An eel and one of Ursula’s lackeys. Oily and spineless, willing to say anything needed to please.
Skills: Puppetry experience a plus.
Vocal Range: C4-C#5
JETSAM
Gender: Any
Age: 20s-30s
Description: An eel and one of Ursula’s lackeys. Oily and spineless, willing to say anything needed to please.
Skills: Puppetry experience a plus.
Vocal Range: C4-C#5
GRIMSBY
Gender: Male
Age: 40+
Description: Guardian of Prince Eric.
Vocal Range: Baritone
MERSISTERS
Gender: Female
Age: 20s-30s
Description: Ariel’s sisters (Aquata, Andrina, Arista, Atina, Adella, Allana), daughters of King Triton.
Vocal Range: Mezzos, Altos, and Sopranos
CHEF LOUIS
Gender: Any
Age: 20+
Description: The palace chef and a culinary perfectionist.
Vocal Range: Tenor or Mezzo/Alto
DANCE ENSEMBLE
Roles: To play Gulls, Chefs and featured in multiple full cast songs.
ENSEMBLE
Roles: To play Sailors, Sea Creatures, and Princesses/Contest Attendees.
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
The Community Theatre League is holding open auditions for
9 to 5
Audition Information:
Audition Dates: April 6 & 7
@ 7:00PM
Performance Dates: June 20-22 & 26-29
Those that can not make these auditions should reach out to CTL@CTLshows.com to make different audition plans.
Director: Denise Clark
“9 to 5: The Musical” is a hilarious and empowering adaptation of the classic 1980 comedy film. Set in the late 1970s, the story follows three women, Doralee, Violet, and Judy, who work in the oppressive and chauvinistic office of Consolidated Industries. Fed up with their sexist boss, Franklin Hart Jr., the trio embarks on a wild scheme to take control of their workplace and their lives. With plenty of laughter, heart, and a killer soundtrack by Dolly Parton, “9 to 5: The Musical” is a celebration of female empowerment and solidarity in the face of adversity.
What to Prepare For Your Audition:
DETAILS TO COME
****Please Note: Most characters we encounter currently are written with he/him or she/her pronouns. However limiting the descriptions are, our casting seeks to be inclusive as possible and we invite gender non-conforming, genderqueer, transgender, and non-binary actors to submit for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities.****
Violet
The company’s Head Secretary and Mr. Hart’s Administrative Assistant, she is a single mother and typically stands up for what she believes in. Attractive, strong, ambitious.
Gender: female
Age: 40 to 50
Vocal range top: D5
Vocal range bottom: F3
Doralee
A young, sexy spitfire who works at Mr. Hart’s office. She is proof that there is more to a woman than just her looks.
Gender: female
Age: 20 to 30
Vocal range top: E5
Vocal range bottom: G3
Judy
The “new” girl at the firm, she has been burned by her husband’s affair and is searching for personal empowerment. Insecure, determined, and hopeful.
Gender: female
Age: 30 to 35
Vocal range top: F5
Vocal range bottom: Ab3
Franklin Hart
One of the firm’s executives and a notorious chauvinist. He is capable of faking charm but usually shows his true colors as an arrogant, self-absorbed boss.
Gender: male
Age: 45 to 50
Vocal range top: Gb4
Vocal range bottom: C3
Roz Keith
The attentive office gossip queen and snitch. She has an unrequited love for Mr. Hart and will do anything she can to win his approval.
Gender: female
Age: 35 to 45
Vocal range top: C5
Vocal range bottom: G3
Joe
A handsome, young office accountant. Genuine and nice, and smitten with Violet.
Gender: male
Age: 25 to 35
Vocal range top: G4
Vocal range bottom: B2
Dwayne
Doralee’s attractive husband. He is very supportive of her professional pursuits.
Gender: male
Age: 25 to 30
Vocal range top: G4
Vocal range bottom: E2
Josh
Violet’s awkward teenage son.
Gender: male
Age: 15 to 18
Missy
Franklin Hart’s wife, clueless to her husband’s true nature.
Gender: female
Age: 20 to 35
Maria
A young and vibrant secretary in Hart’s office.
Gender: femaleAge: 20 to 30
Vocal range top: D5
Vocal range bottom: F4
Dick
Judy’s soon-to-be ex-husband. An average guy, he is sporting a little less hair and a little more paunch than he did ten years ago.
Gender: male
Age: 35 to 45
Kathy
A secretary in Hart’s office with a tendency to gossip.
Gender: female
Age: 30 to 40
Vocal range top: D5
Vocal range bottom: G4
Margaret
A secretary in Hart’s office with a tendency to drink.
Gender: female
Age: 30 to 40
Tinsworthy
Franklin Hart’s boss and Chariman of the Board. A good man, who may be wiser to Hart’s ways than he lets on.
Gender: male
Age: 50 to 65
Ensemble
Office employees, police officers, hospital employees.
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
The Community Theatre League is holding open auditions for
The Tale of Peter Rabbit
Audition Information:
Audition Dates: December 11 @ 4:30-6:30PM & 14 @ 2:00-5:00PM
Those that can not make these auditions should reach out to CTL@CTLshows.com to make different audition plans.
Director: Nina White
Music Director: Tyler Boyles
About the Show:
Peter is an explorer who always seems to get into trouble. He goes where he is not supposed to, and often runs off alone. Sometimes the temptation of going into Mr. McGregor’s garden is just too much for him. Join Peter, his sisters, and friends on this Musical Adventure!
What to Prepare For Your Audition:
- Music:
- Be familiar with The Tale of Peter Rabbit<<< (click for sheet music) from the production. A recorded track is available at Here. You may be asked to sing it during auditions.
- Script Pages:
- Review the provided script pages before auditions. These will be used for cold readings. You can access the script pages at…
TENOR
ANNABETH – Daughter of Athena, smarter than you
SOPRANO
GROVER – A happy-go-lucky satyr, like a hippie kid with hooves.
TENOR
LUKE – Son of Hermes, cool camp counselor
BARITONE, TENOR
SALLY JACKSON – Percy’s hard-working mother
MEZZO-SOPRANO
MR. BRUNNER aka CHIRON – Wise centaur, part-time Latin teacher
TENOR, BARITONE
CLARISSE – Tough jock girl, daughter of Ares
MEZZO-SOPRANO, SOPRANO
Ensemble:
MRS. DODDS – A Fury posing as a substitute algebra teacher
GABE UGLIANO – Percy’s foul stepfather
MINOTAUR – Half-man, half-bull
POSEIDON – God of the sea, salty beach bum
MR. D, aka DIONYSUS – God of wine, snarky camp director
SILENA BEAUREGARD – Daughter of Aphrodite
KATIE GARDNER – Daughter of Demeter
THE ORACLE – a hippie mummy
GREYHOUND PASSENGER 1
GREYHOUND PASSENGER 2
SQUIRRELAUNTY EM, aka MEDUSA – Avid sculptor
TRAIN CONDUCTOR
ECHIDNA – Mother of monsters
NEWSCASTER
FARMER
ARES – God of war, rock star in leather pants
BIANCA – A mysterious girl in 1930’s clothes
KRONOS – A voice in a pit
THALIA – Daughter of Zeus, tough
CHARON – Ferryperson to the Underworld
JAMES BROWN
WOLFGANG AMADEUS MOZART
KURT COBAIN
JANIS JOPLIN
DJ CERBERUS
HADES – God of the dead, aging rock star type
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
Dates for SEASON 48 Auditions!
KEEP A LOOK OUT HERE FOR AUDITION DATES FOR THESE EXCITING SHOWS AND MORE!9 to 5 April 6 & 7
PIPPIN (Summer Youth Intensive) May 18 & 19
All auditions will be held at 7pm, unless otherwise advertised. Information on what to prepare will be put out 2-3 weeks in advance of auditions.Community Theatre League Audition Policy
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
If, after open auditions, the director believes that a particular role or roles cannot be cast, additional actors may be contacted and further auditions may be held as required. Being invited to audition, either directly or indirectly, does not guarantee a role.
In the event an actor cannot attend regular auditions, s/he may audition at a pre-arranged time at the director’s discretion. Callbacks will be held if necessary. Not being called back does not mean that auditionees are not cast in the show. Likewise, being called back does not guarantee casting.
Please note that by auditioning, you are obligating yourself to a considerable rehearsal and performance process. Please be certain that you are willing and able to make this commitment.
Audition / Rehearsal Facts and FAQs
CTL strives to make the audition process a positive and comfortable experience for everyone. Our goal is to put on a wonderful show for the audience and an enjoyable and fulfilling process for local performers.
Anyone may audition, depending on the age groups required for the selected play or musical. Some people come to auditions who are long-time, experienced performers, while some have never been on stage before. No experience is necessary for tryouts. Frequently, auditionees who may not be cast in a particular show choose to participate in the production, through backstage, costuming or technical support.
Play auditions generally do not require advance preparation. Actors may be asked to perform monologues, or may be asked to read from the selected script and to interact with other performers during the audition process, at the discretion of the director. For musicals, you will be asked to bring your own piece of prepared music. Unless stated otherwise in the audition notice, you may bring a CD with pre-recorded background instrumentals (i.e., karaoke tracks). Most singers use sheet music, and an accompanist will be provided for you.
Most directors post information on the CTL website regarding character outlines and a synopsis of the show. Reviewing this information before auditions should provide an idea of what parts might be available and suitable for a specific performer. Please be advised that stage productions of stories which may have also been produced as books or movies might have differences in cast and content.
Rehearsal times vary depending on the director. Most rehearsals will run 2-3 hours. Starting times vary. Shows with children in the cast usually start earlier in the evening than those with adults. Starting times are usually 6:30 PM or 7:00 PM. An effort is made early in the rehearsal process to target specific performers at specific times, to minimize “down time” for performers at rehearsals.
All those who audition are contacted via phone or email. An announcement is made at auditions, to advise when auditionees should expect to hear from a member of the production team. A cast list is posted on the CTL website once it is final.
Casting decisions are ultimately made by the Director, with input from the show’s production staff, which includes the Production Manager, Music Director and Choreographer (if applicable), Stage Manager, and at least one member of CTL’s Production Planning Committee.
The Community Theatre League reserves the right to recast a part if a performer behaves in a manner that is deemed detrimental to the production.
Tips for Auditioning
CTL is a volunteer-run non-profit and, as such, is always looking for more people to audition, organize and just help out in general. To keep up with the details of each audition, check this website often, listen to the radio stations of Clear Channel Williamsport, check your local newspaper’s arts and entertainment section, email, or call the theatre at 327-1777, weekdays 11-4.
Before auditioning
Check the rehearsal and performance schedules before you audition. Probably one of the worst things is to audition, get a great part and then find out that rehearsals interfere with classes or that you’ll be out of town during the 2 weeks the play goes on. Always err on the side of asking too many questions to make sure you can fulfill your obligations.
Read up on the play you’ll be auditioning for. This goes not only for the actual audition piece (if provided), but it’s good to check, especially in newer or independent works, for any subject matter that you may be uncomfortable with. Very little is sacred to some playwrights, so do your homework.
Practice the required audition piece (if available) until you know it by heart. Called “off book” in theater lingo, being able to speak the part freely shows professionalism and allows you to use your hands and body language during your scene. Practice alone in front of a mirror, as well as with others either as an audience or someone feeding you responses if the audition piece is interactive.
If the show is a musical, you will be required to sing a short song. The standard length of an audition piece is 16 measures, which would be roughly a verse or chorus of a tune. Each director is different and some may allow you to sing more than 16 bars or even all of the song so you should bring sheet music (in the correct key) for the accompanist. Unless specifically stated in the audition notice, CD’s and background tracks (karoke CDs) are allowed. The piece should be memorized, but if not, a second copy for yourself is best. Most auditions at CTL happen in large groups, which means you will likely be requested to sing in front of the group.
Be prepared to commit time to building sets and sewing costumes if necessary. Remember, many community theaters are volunteer run and funding comes either from grants or the success of the last performance. Pitching in may be expected, and even if it isn’t, if you have the time consider contributing anyway since it’ll only make the total experience that much better.
F.Y.I.
It may take up to two weeks for the directors to cast the show. Be patient. The directors are always looking for just the right combination of people to have a great show.
Best of luck!