AUDITION AT CTL
The Community Theatre League is holding open auditions for…
THE HOBBIT
Casting Actors must be aged 18 & up!
IMPORTANT AUDITION DATES:
Audition Dates:
January 25 @7PM
January 26 @7PMPerformance Dates:
May 1 & 2Potential Callback Date:
TBD
Those that can not make these auditions should reach out to CTL@CTLshows.com to make different audition plans.
Director: Donnie Mapes
About the Show:
This 60-minute adaptation of Tolkien’s classic novel, designed for theatres of all sizes, is a suspenseful, fast-paced journey through the sometimes dark, sometimes charming, always compelling world of Middle Earth. Bilbo Baggins is a comfortably well-off hobbit with a love for rousing adventure stories. Real adventures, however, are definitely not his cup of tea. So when Gandalf the wizard knocks at Bilbo’s door, bringing with him Thorin Oakenshield, 11 ragged looking dwarfs and a contract for an adventure to recover the lost treasure of Lonely Mountain, Bilbo could not be less interested—at first. But Bilbo’s love of a good story gets the better of him, and before he knows it, he is off on a perilous quest over mountain and under hill through caves and forest and slimy dark places.
What to Prepare For Your Audition:
- Actors need not prepare anything for their audition. You only need to bring a positive attitude, your best Tolkien story telling self, and be ready to have fun reading sides from the show.
NOTE: Casting Age range 18 & up
ACTOR’S CAST FOR THESE ROLES WILL NOT HAVE MORE ROLES ASSIGNED UNLESS ABSOLUTELY NECESSARY
- BILBO BAGGIN
A well-fed and well-to-do Hobbit. Simple, good-natured. Bilbo would much rather stay home than go on an adventure, but the temptation is a smidgeon more than he can bear. Bilbo is a very unlikely hero. -
THORIN OAKENSHIELD
Donned in Sky Blue with silver tassels, he is the Dwarven Prince of the Lonely Mountain, and rightful heir to the throne. Thorin is a very important dwarf and knows it, which makes him sometimes curt, haughty, and even belligerent at times. Wants to reclaim what is rightfully his and becomes obsessive once he does. -
BALIN
Noted as being dressed in a Scarlet Hood, he is The eldest of the dwarves and Dwalin’s older brother. Balin is the wisest, least quick to anger of the dwarves, and displays the most understanding to Bilbo. -
GLOIN
Gloin is found in a white hood & shorter cape, but is a strong, loyal, and proud dwarf, known for being outspoken, somewhat greedy with money, and a fierce warrior, but ultimately valuing his family and friends over gold -
BOMBUR
In a light green cape with a hood, Bombur is a large, jovial, food-loving dwarf. He is the hearty, often clumsy, but ultimately lovable “gentle giant” of the company, embodying simple pleasures while still rising to challenges.
ACTOR’S CAST FOR THESE ROLES WILL POTENTIALLY BE DUAL CASTED/PORTRAY OTHER ROLES AS NEEDED
-
GANDALF
Gandalf is the prototype for all wizards you’ve come to know. He appears as a wise old man, yet is somehow a scamp, eccentric, mysterious, grandfatherly kind, yet terrible to anger. He knows what will occur before it occurs yet does not entice the decision. -
SMAUG
A wicked and wily fire-breathing dragon, guarding his treasure but also keeping the men of Laketown in check. Plans are for this to be a large scale puppet worked by casted actor to voice him -
GOLLUM
Dark Green cloak with gold belt. Dwalin is younger brother of Balin, cousin to Oin and Gloin. -
DWALIN
(Character age 40-55)
Ballet instructor and tsarist. Kolenkhov is Essie’s tough-love Russian ballet instructor. He is aggressive, loud, and still bitter about the Bolshevik revolution. This physical role requires some fight choreography. A Russian accent is preferred. -
OIN
(Character age 20-26)
Brown Hood with Gold Belt. The older brother of Gloin, cousin of Dwalin and Balin. Will be dual-cast in other roles. -
BIFUR
Yellow hood with Gold Belt. Cousin to Bofur & Bombur, Bifur is a gruff but loyal Dwarf warrior -
BOFUR
Yellow Hood with Gold Belt. Brother to Bombur, Cousin to Bifur. Bofur is the heart of the dwarf company, a relatable character focused on enjoyment, friendship, and simple pleasures -
DORI
Grey Hood. Nori is a roguish dwarf with a “finder’s fee” mentality. Brother to Dori & Ori -
ORI
Grey Hood. Ori is the sweet-natured, bookish dwarf who unexpectedly rises to bravery, embodying quiet strength and artistic spirit amidst the perilous adventure. Youngest brother to Nori & Dori - FILI
Blue Hood and Silver Belt. Fili is very level-headed, loyal and protective. Especially of his younger brother Kili, both of whom are Nephews to Thorin. - KILI
Blue Hood and Silver Belt. The younger brother of Fili and Thorin’s nephew. Courageous, strong, and as a young dwarf, the most playful of them. - BARD
Bard is a courageous, skilled, and responsible human Man from Lake-town. He embodies the honorable, decent aspect of Men, contrasting with the greed of dwarves and the complexities of other racces. - MAXWELL
He is also a Human Man from Lake-Town. He is often at the side of Bard But when the dragon Smaug attacks Lake-town, he flees for his own safety while the town burns - DORK AND DOOF
He is also a Human Man from Lake-Town. He is often at the side of Bard But when the dragon Smaug attacks Lake-town, he flees for his own safety while the town burns - Other various minor roles that will be dual cast include:
Captain; Man; Goblin King; Misc Goblins; Misc Warriors
The Community Theatre League is holding open auditions for…
LEGALLY BLONDE
Casting Actors must be aged 18 & up!
IMPORTANT AUDITION DATES:
Audition Dates:
March 22 & 23 @7PMPerformance Dates:
June 19-21 & 25-28Potential Callback Date:
TBD
Those that can not make these auditions should reach out to CTL@CTLshows.com to make different audition plans.
Director: Nancy Butts
Music Director: Angella Laubach
Choreographer: Amiee Hunsinger
A fabulously fun, award-winning hit, Legally Blonde The Musical is a vibrant and empowering story packed with laughter, heart, and high-energy entertainment. Based on the beloved film, it follows Elle Woods, a fashionable and determined sorority president whose life changes when her boyfriend dumps her to attend Harvard Law School. Determined to win him back, Elle trades her pink heels for law books and heads to Harvard herself.
Along the way, she discovers her true potential, proving that brains and beauty can go hand in hand. She takes on stereotypes, overcomes self-doubt, and unravels a scandal that rocks the Ivy League. Bursting with catchy songs, dynamic dance numbers, and laugh-out-loud moments, Legally Blonde The Musical is a joyful celebration of self-discovery, sisterhood, and unapologetic sparkle. It is so much fun, it should be illegal.
Casting Information:
Must be age 18 years old to audition
What to Prepare For Your Audition:
Please bring a positive attitude, a bottle of water, and a list of any conflicts you have from auditions thru Performances
- DANCE/MOVEMENT: There will be a lot of movement in the show. Dress comfortable and ready to move, with appropriate footwear. If you are auditioning for a character who may be required to wear heels, you may consider wearing heels to dance!
- READING: generic readings will be made available at later date but prior to auditions, please check back
- MUSIC: Please prepare either of the followings songs based on your comfortability of range and gender preference…
- FEMALE ROLES:
AUDITION TRACK COMING SOON - MALE ROLES:
AUDITION TRACK COMING SOON
- FEMALE ROLES:
Available Roles:
- Elle Woods
The show’s lead. Bright, charismatic, determined, and endlessly optimistic. Elle starts as a Malibu sorority girl and evolves into a confident, capable law student. Requires strong comedic timing, excellent vocal skills, and the ability to lead the show with both humor and heart. High energy and stamina. - Emmett Forrest
A thoughtful, genuine, slightly awkward teaching assistant at Harvard Law. Emmett becomes Elle’s mentor and eventual love interest. Warmth, relatability, and grounded charm are essential. Strong singer-actor with sincerity. - Warner Huntington III
Elle’s ex-boyfriend. Handsome, self-assured, and more focused on status than substance. Must balance charm with obliviousness. A strong singer with leading-man presence and comedic awareness. - Vivienne Kensington
Warner’s new girlfriend. Smart, driven, polished, and initially dismissive of Elle. A powerful belter who can deliver sharp sarcasm but also a sincere emotional turn. Needs excellent stage presence. - Paulette Buonofuonte
A lovable, quirky hairdresser with a big voice and even bigger heart. Comic timing is crucial. The role blends humor, vulnerability, and powerhouse vocals—especially in “Ireland.” - Professor Callahan
A demanding, intimidating law professor. Sharp, commanding, and morally ambiguous. Requires a strong baritone with gravitas and an authoritative stage presence. - Brooke Wyndham
A famous fitness instructor on trial for murder. High-energy, athletic, and confident. This role requires a strong singer who can handle physically demanding choreography (jump rope sequence). - Margot, Serena & Pilar (The Delta Nu Trio)
Elle’s closest sorority sisters. Fun, bubbly, high-energy, and supportive. They serve as a “Greek chorus,” often driving the storytelling. Strong dancers, sharp comedic instincts, and tight harmonies essential. - Kate / Chutney / Enid
- Kate – Smart, studious Delta Nu sister. Strong singer with confidence.
- Chutney Wyndham – Brooke’s stepdaughter. Dry, deadpan, comedic role with a key courtroom moment.
- Enid Hoopes – A socially conscious Harvard law student with bold opinions. Comedic mezzo.
- Kyle (UPS Guy)
Non-singing / light vocals
Paulette’s love interest. Confident, athletic, charming, and comedic. Physical comedy and presence are key. - Dewey / Nikos / Carlos (Featured Men)
Fun, comedic character actors.- Dewey: Paulette’s crude ex.
- Nikos: Brooke’s pool boy.
- Carlos: Nikos’s boyfriend. Excellent comedic timing required.
- Ensemble
Sorority sisters, law students, courtroom staff, prisoners, salon patrons, Harvard admissions, etc.
The ensemble in Legally Blonde is highly active, with significant movement and high energy
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
The Community Theatre League is holding open auditions for
“HARMONY: many voices, one song”…at Corner of Broadway & Third Concert
Audition Information:
Audition Video Due Date: April 25, 11:59PM
Performance Dates: May 16 & 17
Director: Tim Hippensteel
Music Director: Max Theiss
HARMONY: MANY VOICES, ONE SONG,” a concert that brings the magic of musical theatre to life in a powerful exploration of the human experience. Through a rich and eclectic mix of Broadway and musical theatre classics, this concert journeys through the lives of diverse characters from all walks of life—each with their own unique story to tell. From moments of joy and triumph to struggles and dreams, every song will illuminate the beauty of individuality while reflecting the universal threads that unite us all. The evening builds to a soaring finale, where these distinct voices blend into one, creating a breathtaking celebration of community, connection, and togetherness. It’s a stirring reminder that, despite our differences, we are all connected—bound by the universal power of music and the timeless stories of the stage.
What to Prepare For Your Audition:
Please prepare a video audition (30-60 second in length) of one of the following music selection (NOTE: THESE SONGS DO NOT NECESSARILY NOT REPRESENT THE SONG SELECTIONS FROM THE SHOW)…
MAIL YOUR VIDEO AUDITION FILE OR LINK TO CTL@CTLshows.com
- “Wig in a Box” – Hedwig and the Angry Inch
- “Maybe This Time” – Cabaret
- “I Am What I Am” – La Cage aux Folles
- “I’m Here” – The Color Purple
- “Here’s Where I Stand” – Camp
- “The Movie in My Mind” – Miss Saigon
- “I Dreamed a Dream” – Les Misérables
- “This is Me” – The Greatest Showman
- “I Miss the Mountains” – Next to Normal
- “Breathe” – In the Heights
- “Wait for It” – Hamilton
- “Not My Father’s Son” – Kinky Boots
- “Freeze your Brain” – Heathers
- “Love Who You Love” – A Man of No Importance
- “My Brother Lived in San Francisco” – Elegies for Angels, Punks, and Raging Queens
- “Inútil” – In the Heights
- “Waiting for Life” – Once on this Island
- “Out There” – The Hunchback of Notre Dame
****Please Note: Most characters we encounter currently are written with he/him or she/her pronouns. However limiting the descriptions are, our casting seeks to be inclusive as possible and we invite gender non-conforming, genderqueer, transgender, and non-binary actors to submit for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities.****
Violet
The company’s Head Secretary and Mr. Hart’s Administrative Assistant, she is a single mother and typically stands up for what she believes in. Attractive, strong, ambitious.
Gender: female
Age: 40 to 50
Vocal range top: D5
Vocal range bottom: F3
Doralee
A young, sexy spitfire who works at Mr. Hart’s office. She is proof that there is more to a woman than just her looks.
Gender: female
Age: 20 to 30
Vocal range top: E5
Vocal range bottom: G3
Judy
The “new” girl at the firm, she has been burned by her husband’s affair and is searching for personal empowerment. Insecure, determined, and hopeful.
Gender: female
Age: 30 to 35
Vocal range top: F5
Vocal range bottom: Ab3
Franklin Hart
One of the firm’s executives and a notorious chauvinist. He is capable of faking charm but usually shows his true colors as an arrogant, self-absorbed boss.
Gender: male
Age: 45 to 50
Vocal range top: Gb4
Vocal range bottom: C3
Roz Keith
The attentive office gossip queen and snitch. She has an unrequited love for Mr. Hart and will do anything she can to win his approval.
Gender: female
Age: 35 to 45
Vocal range top: C5
Vocal range bottom: G3
Joe
A handsome, young office accountant. Genuine and nice, and smitten with Violet.
Gender: male
Age: 25 to 35
Vocal range top: G4
Vocal range bottom: B2
Dwayne
Doralee’s attractive husband. He is very supportive of her professional pursuits.
Gender: male
Age: 25 to 30
Vocal range top: G4
Vocal range bottom: E2
Josh
Violet’s awkward teenage son.
Gender: male
Age: 15 to 18
Missy
Franklin Hart’s wife, clueless to her husband’s true nature.
Gender: female
Age: 20 to 35
Maria
A young and vibrant secretary in Hart’s office.
Gender: femaleAge: 20 to 30
Vocal range top: D5
Vocal range bottom: F4
Dick
Judy’s soon-to-be ex-husband. An average guy, he is sporting a little less hair and a little more paunch than he did ten years ago.
Gender: male
Age: 35 to 45
Kathy
A secretary in Hart’s office with a tendency to gossip.
Gender: female
Age: 30 to 40
Vocal range top: D5
Vocal range bottom: G4
Margaret
A secretary in Hart’s office with a tendency to drink.
Gender: female
Age: 30 to 40
Tinsworthy
Franklin Hart’s boss and Chariman of the Board. A good man, who may be wiser to Hart’s ways than he lets on.
Gender: male
Age: 50 to 65Russell Tinsworthy (Chairman of the Board): male-presenting; intimidating head of Consolidated, Inc. This role will either be a speaking-only role or doubled by an ensemble member, depending on the outcome of the auditions.
Ensemble
Office employees, police officers, hospital employees.
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
CHECK BACK SOON FOR MORE AUDITION OPPORTUNITIES!!!
KEEP A LOOK OUT HERE FOR AUDITION DATES FOR THESE EXCITING SHOWS AND MORE!
All auditions will be held at 7pm, unless otherwise advertised.
Information on what to prepare usually is available about 2-3 weeks in advance of auditions.
Community Theatre League Audition Policy
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
If, after open auditions, the director believes that a particular role or roles cannot be cast, additional actors may be contacted and further auditions may be held as required. Being invited to audition, either directly or indirectly, does not guarantee a role.
In the event an actor cannot attend regular auditions, s/he may audition at a pre-arranged time at the director’s discretion. Callbacks will be held if necessary. Not being called back does not mean that auditionees are not cast in the show. Likewise, being called back does not guarantee casting.
Please note that by auditioning, you are obligating yourself to a considerable rehearsal and performance process. Please be certain that you are willing and able to make this commitment.
Audition / Rehearsal Facts and FAQs
CTL strives to make the audition process a positive and comfortable experience for everyone. Our goal is to put on a wonderful show for the audience and an enjoyable and fulfilling process for local performers.
Anyone may audition, depending on the age groups required for the selected play or musical. Some people come to auditions who are long-time, experienced performers, while some have never been on stage before. No experience is necessary for tryouts. Frequently, auditionees who may not be cast in a particular show choose to participate in the production, through backstage, costuming or technical support.
Play auditions generally do not require advance preparation. Actors may be asked to perform monologues, or may be asked to read from the selected script and to interact with other performers during the audition process, at the discretion of the director. For musicals, you will be asked to bring your own piece of prepared music. Unless stated otherwise in the audition notice, you may bring a CD with pre-recorded background instrumentals (i.e., karaoke tracks). Most singers use sheet music, and an accompanist will be provided for you.
Most directors post information on the CTL website regarding character outlines and a synopsis of the show. Reviewing this information before auditions should provide an idea of what parts might be available and suitable for a specific performer. Please be advised that stage productions of stories which may have also been produced as books or movies might have differences in cast and content.
Rehearsal times vary depending on the director. Most rehearsals will run 2-3 hours. Starting times vary. Shows with children in the cast usually start earlier in the evening than those with adults. Starting times are usually 6:30 PM or 7:00 PM. An effort is made early in the rehearsal process to target specific performers at specific times, to minimize “down time” for performers at rehearsals.
All those who audition are contacted via phone or email. An announcement is made at auditions, to advise when auditionees should expect to hear from a member of the production team. A cast list is posted on the CTL website once it is final.
Casting decisions are ultimately made by the Director, with input from the show’s production staff, which includes the Production Manager, Music Director and Choreographer (if applicable), Stage Manager, and at least one member of CTL’s Production Planning Committee.
The Community Theatre League reserves the right to recast a part if a performer behaves in a manner that is deemed detrimental to the production.
Tips for Auditioning
CTL is a volunteer-run non-profit and, as such, is always looking for more people to audition, organize and just help out in general. To keep up with the details of each audition, check this website often, listen to the radio stations of Clear Channel Williamsport, check your local newspaper’s arts and entertainment section, email, or call the theatre at 327-1777, weekdays 11-4.
Before auditioning
Check the rehearsal and performance schedules before you audition. Probably one of the worst things is to audition, get a great part and then find out that rehearsals interfere with classes or that you’ll be out of town during the 2 weeks the play goes on. Always err on the side of asking too many questions to make sure you can fulfill your obligations.
Read up on the play you’ll be auditioning for. This goes not only for the actual audition piece (if provided), but it’s good to check, especially in newer or independent works, for any subject matter that you may be uncomfortable with. Very little is sacred to some playwrights, so do your homework.
Practice the required audition piece (if available) until you know it by heart. Called “off book” in theater lingo, being able to speak the part freely shows professionalism and allows you to use your hands and body language during your scene. Practice alone in front of a mirror, as well as with others either as an audience or someone feeding you responses if the audition piece is interactive.
If the show is a musical, you will be required to sing a short song. The standard length of an audition piece is 16 measures, which would be roughly a verse or chorus of a tune. Each director is different and some may allow you to sing more than 16 bars or even all of the song so you should bring sheet music (in the correct key) for the accompanist. Unless specifically stated in the audition notice, CD’s and background tracks (karoke CDs) are allowed. The piece should be memorized, but if not, a second copy for yourself is best. Most auditions at CTL happen in large groups, which means you will likely be requested to sing in front of the group.
Be prepared to commit time to building sets and sewing costumes if necessary. Remember, many community theaters are volunteer run and funding comes either from grants or the success of the last performance. Pitching in may be expected, and even if it isn’t, if you have the time consider contributing anyway since it’ll only make the total experience that much better.
F.Y.I.
It may take up to two weeks for the directors to cast the show. Be patient. The directors are always looking for just the right combination of people to have a great show.
Best of luck!