AUDITION AT CTL
The Community is holding open auditions for…
Charlotte’s WeB
IMPORTANT AUDITION DATES:
Audition Dates:
November 9 @3PM
November 10 @5PMPerformance Dates:
February 27 & 28, March 1Callback Date:
November 12 @5PM
Those that can not make these auditions should reach out to CTL@CTLshows.com to make different audition plans.
Director: Nina White
About the Show:
A young pig named Wilbur befriends a spider named Charlotte, who uses her web to save him from being slaughtered. Charlotte’s cleverness in weaving words like “Some Pig” into her web helps convince the farmer to spare Wilbur’s life. The story explores themes of friendship, love, and loss, culminating in a bittersweet ending with Wilbur carrying on Charlotte’s legacy.
Casting Information:
Rehearsals will be held, availability and conflicts may affect casting:
Tuesdays 4:30 p.m.- 6:30 p.m.
Thursdays 5:30 p.m. to 7:30 p.m.
Saturdays 9:30 a.m.-12:00 p.m. beginning on January 3rd. We will have 2 Saturday rehearsals on 12/13, and 12/20.
Must be between the ages of 8-14 to audition
What to Prepare For Your Audition:
- Please select one day to attend auditions.
- Young actors will sign in and be called in small groups to audition according to the order on the sign in sheet.
- Auditionees are requested to prepare a small excerpt from one of their favorite children’s books to read out loud. (There are 3 narrators in the play, so hearing you vocally bring to life one of your favorite stories is part of the audition).
- Bring your energy, creativity and team spirit. Actors may also be given one of the following scenes from the script to read.
- FERN ARABLE
a young girl who understands what animals say to each other and has a pure sense of justice - JOHN ARABLE
Fern’s father - MARTHA ARABLE
Fern’s mother - AVERY ARABLE
Fern’s brother who enjoys teasing her - HOMER ZUCKERMAN
Fern’s uncle - EDITH ZUCKERMAN
Fern’s aunt - LURVY
a caring, hired hand at the Zuckerman farm - WILBUR
a small, lovable young pig - TEMPLETON
a gluttonous rat who can be talked into a good deed - CHARLOTTE
a spider who proves to be “a true friend and a good writer” - GOOSE
a motherly animal on Zuckerman’s farm - GANDER
a fatherly animal on Zuckerman’s farm - SHEEP
a knowledgeable animal on Zuckerman’s farm - LAMB
a not very welcoming animal on Zuckerman’s farm - UNCLE
a pig at the Fair - 3 STORYTELLERS
the narrators of the story - ENSEMBLE
Reporter, Photographer, Fairgoers, Announcer, Baby Spiders (these roles may be double cast with other characters)
The Community Theatre League is holding open auditions for…
HAIRSPRAY
IMPORTANT AUDITION DATES:
Audition Dates:
November 23 & 24 @7PMPerformance Dates:
April 17-19, 2026Potential Callback Date:
TBD
Those that can not make these auditions should reach out to CTL@CTLshows.com to make different audition plans.
Director: Rubie Natal & Aubyn Johnson
Music Director: Brett Hosterman
Choreographer: Maia Cenimo
It’s 1962 in Baltimore, and the lovable plus-size teen, Tracy Turnblad, has only one desire – to dance on the popular “Corny Collins Show.” When her dream comes true, Tracy is transformed from social outcast to sudden star. She must use her newfound power to dethrone the reigning Teen Queen, win the affections of heartthrob, Link Larkin, and integrate a TV network… all without denting her ‘do!
Casting Information:
Hairspray celebrates diversity, community, and the power of inclusion. The story explores issues of race, body image, and equality with humor, heart, and hope.
Because the story takes place in 1960s Baltimore at the height of the civil rights movement, certain roles are cast to reflect the realities of racial segregation and the show’s central themes. Characters such as Motormouth Maybelle, Seaweed, and Little Inez are Black, while others, like Tracy and the Turnblad family, are white. This distinction is essential to the story’s honesty and impact.
A large and energetic ensemble is required bring this world to life, filling the streets of Baltimore, the colorful bustle of Mr. Pinky’s Hefty Hideaway, and the lively set of the Corny Collins Show. Meaning roles outside of named parts are essential to creating this story that celebrates having the courage to stand up for change.
Must be at least of high school age (9th grade+) to audition
What to Prepare For Your Audition:
Please bring a positive attitude, a bottle of water, and a list of any conflicts you have from auditions thru Performances
- DANCE/MOVEMENT: Dress comfortable and ready to move, with appropriate footwear. If you are auditioning for a character who may be required to wear heels, you may consider wearing heels to dance!
- READING: Some actors may be asked to “cold read” selections from the show. (Cold Readings: an impromptu reading of a script without prior knowledge of the selection)
- MUSIC:
Please Prepare 30secs to 1min of a song from the show
If you are interested in specific roles please consider auditoning with the noted selection below
- Tracy Turnblad
Good Morning Baltimore
I Can Hear The Bells - Edna Turnblad
Welcome to the 60’s
You’re Timeless To Me - Link Larkin
It Takes Two
Without Love - Amber Von Tussle
Cooties
Mama, I’m a Big Girl Now - Penny Pingleton
Mama, I’m a Big Girl Now
Without Love - Seaweed
Run And Tell That
Without Love - Corny Collins
The Nicest Kids In Town
It’s Hairspray - Velma Von Tussle
Miss Baltimore Crabs - Motormouth Maybelle
I Know Where I’ve Been
Big Blonde & Beautiful - Wilbur Turnblad
You’re Timeless To Me - Little Inez
Run And Tell That (Solo) - Prudy Pingleton
Mama, I’m a Big Girl Now - The Dynamites
Welcome To the 60’s (ending) - The Ensemble
Good Morning Baltimore
You Can’t Stop The Beat
- Tracy Turnblad
Available Roles:
Tracy Turnblad
Our story’s unsuspecting protagonist, she is large and in charge. Confident, talented, and incredibly determined. A romantic with a good heart and desire to cut up the dance floor. Always on top of the latest trends.
This role will be played by a white actress.
Gender: Female
Age: Can portray 15 to 20
Vocal range top: G5
Vocal range bottom: G3
Dance: Must be a strong mover with stamina; carries many high-energy dance numbers
—
Edna Turnblad
Tracy’s mother. She is a working housewife who has lost her confidence and dream to be a plus-size clothing designer. Boisterous and commanding. Often played by a male in drag. Edna should be comfortable moving in heels.
This role will be played by a white performer.
Gender: Male
Age: Can portray 30 to 50
Vocal range top: G5
Vocal range bottom: F3
Dance: Minimal choreography; should be comfortable with light movement, especially in duets with Wilbur (“You’re Timeless to Me”) and the finale.
—
Link Larkin
The star heartthrob on Corny Collins’ show. He is extremely attractive and talented. Hoping to get his big break with a recording contract, he unexpectedly falls for Tracy.
This role will be played by a white actor.
Gender: Male
Age: Can portray 15 to 20
Vocal range top: A5
Vocal range bottom: G3
Dance: Strong dancer; featured in several Corny Collins Show numbers. Style is smooth, classic ‘60s teen idol.
—
Amber Von Tussle
Link’s girlfriend and Tracy’s nemesis. She is pretty, thin, shallow, snobby, and racist. Can’t dance but is expected to win Miss Baltimore Hairspray. Always feels the need to be the center of attention.
This role will be played by a white actress.
Gender: Female
Age: Can portray 15 to 20
Vocal range top: F5
Vocal range bottom: A3
Dance: Strong dancer; Must be able to lead Corny Collins Show numbers.
—
Penny Pingleton
Tracy’s best friend and dorky sidekick. Not the brightest girl, but she has good intentions. Bursting to get free of her mother’s dominating control, she falls for Seaweed with childlike curiosity.
This role will be played by a white actress.
Gender: Female
Age: Can portray 15 to 20
Vocal range top: G5
Vocal range bottom: A3
Dance: Strong movement; Starts awkward but should loosen up as the show progresses, especially in dances with Seaweed.
—
Seaweed J. Stubbs
Tracy’s classmate and friend, who is discriminated against due to his skin color. He is cocky but surprisingly lovable. Talented in song and dance. He falls for Penny.
This role will be played by a Black actor.
Gender: Male
Age: Can portray 15 to 20
Vocal range top: D5
Vocal range bottom: F3
Dance: Strong dancer; A standout in “Run and Tell That” and “You Can’t Stop the Beat.”
—
Corny Collins
The charismatic host of the Corny Collins’ Show. Good looking and smooth talking, he is a genuinely nice guy both on and off camera.
This role will be played by a white actor.
Gender: Male
Age: Can portray 25 to 35
Vocal range top: A4
Vocal range bottom: D3
Dance: Strong movement; needs to command the floor as a host. Participates in some production numbers with flair.
—
Velma Von Tussle
Amber’s mother and the director of Corny Collin’s show. She is a devious taskmaster and snobby racist. The former Miss Baltimore Crabs will go to any length to ensure her daughter is the next big thing. This role will be played by a white actress.
Gender: Female
Age: Can portray 45 to 55
Vocal range top: E5
Vocal range bottom: G3
Dance: Light movement; her numbers are more about character and presence but (“Miss Baltimore Crabs”) will be danced.
—
Motormouth Maybelle
Seaweed and Little Inez’s mother, she also appears as the Guest DJ on the Corny Collin’s Negro Day show. Big, blonde, beautiful and proud of it. She is sassy and confident.
This role will be played by a Black actress.
Gender: Female
Age: Can portray 40 to 50
Vocal range top: E5
Vocal range bottom: F3
Dance: Minimal; more about powerhouse singing presence. Should move well in group numbers.
—
Wilbur Turnblad
Tracy’s simpleminded and kind father. He owns a joke shop and supports his daughter in spite of everything else. He also loves his wife, Edna, very much. Needs good comedic timing.
This role will be played by a white actor.
Gender: Male
Age: Can portray 55 to 65
Vocal range top: A5
Vocal range bottom: A3
Dance: Very limited; more character-driven movement.
—
Little Inez
Little Inez is Seaweed’s younger sister and Motormouth Maybelle’s daughter. She’s young, feisty, and full of energy. Strong dancer and performer, and dreams of being on The Corny Collins Show as badly as Tracy does.
This role will be played by a Black actress.
Gender: Female
Age: Can portray 13 to 16
Vocal range top: E5
Vocal range bottom: C5
Dance: Strong dancer. Often outdances the “Nicest Kids.”
—
Prudy Pingleton
Penny’s strict mother. Very conservative, controlling, and closed minded. Comedic role.
This role will be played by a white actress.
Gender: Female
Age: Can portray 40 to 50
Vocal range top: B4
Vocal range bottom: D4
Dance: Little to no dancing.
—
The Nicest Kids in Town
Brad, Tammy, Fender, Sketch, Shelley, IQ, Brenda and Lou Ann are the famed teenage performers on “The Corny Collins Show.” This is a great opportunity to feature your best singers and dancers, as they’ll have to emulate some of the most famous dance moves from the 1960s. Kids with a lot of personality, and can be bold in their characterizations of each teenage performer.
Gender: Both
Age: Can portray 15 to 20
Dance: Strong dancers. They embody 1960s TV dance style (jazz, early rock ‘n’ roll, precision choreography).
—
The Dynamites
The Dynamites (Judine, Kamilah and Shayna) are a dynamic musical trio, iconic of the Motown era and the 1960s. Think the Supremes. These are three young women who are singers and dancers who complement each other. They don’t need to look alike, but a group that can be synchronous in their music and dance.
These roles will be played by Women of Color.
Gender: Female
Vocal range top: A5
Vocal range bottom: E4
Dance: Strong movement with polished stage presence.
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
The Community Theatre League is holding open auditions for
“HARMONY: many voices, one song”…at Corner of Broadway & Third Concert
Audition Information:
Audition Video Due Date: April 25, 11:59PM
Performance Dates: May 16 & 17
Director: Tim Hippensteel
Music Director: Max Theiss
HARMONY: MANY VOICES, ONE SONG,” a concert that brings the magic of musical theatre to life in a powerful exploration of the human experience. Through a rich and eclectic mix of Broadway and musical theatre classics, this concert journeys through the lives of diverse characters from all walks of life—each with their own unique story to tell. From moments of joy and triumph to struggles and dreams, every song will illuminate the beauty of individuality while reflecting the universal threads that unite us all. The evening builds to a soaring finale, where these distinct voices blend into one, creating a breathtaking celebration of community, connection, and togetherness. It’s a stirring reminder that, despite our differences, we are all connected—bound by the universal power of music and the timeless stories of the stage.
What to Prepare For Your Audition:
Please prepare a video audition (30-60 second in length) of one of the following music selection (NOTE: THESE SONGS DO NOT NECESSARILY NOT REPRESENT THE SONG SELECTIONS FROM THE SHOW)…
MAIL YOUR VIDEO AUDITION FILE OR LINK TO CTL@CTLshows.com
- “Wig in a Box” – Hedwig and the Angry Inch
- “Maybe This Time” – Cabaret
- “I Am What I Am” – La Cage aux Folles
- “I’m Here” – The Color Purple
- “Here’s Where I Stand” – Camp
- “The Movie in My Mind” – Miss Saigon
- “I Dreamed a Dream” – Les Misérables
- “This is Me” – The Greatest Showman
- “I Miss the Mountains” – Next to Normal
- “Breathe” – In the Heights
- “Wait for It” – Hamilton
- “Not My Father’s Son” – Kinky Boots
- “Freeze your Brain” – Heathers
- “Love Who You Love” – A Man of No Importance
- “My Brother Lived in San Francisco” – Elegies for Angels, Punks, and Raging Queens
- “Inútil” – In the Heights
- “Waiting for Life” – Once on this Island
- “Out There” – The Hunchback of Notre Dame
****Please Note: Most characters we encounter currently are written with he/him or she/her pronouns. However limiting the descriptions are, our casting seeks to be inclusive as possible and we invite gender non-conforming, genderqueer, transgender, and non-binary actors to submit for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities.****
Violet
The company’s Head Secretary and Mr. Hart’s Administrative Assistant, she is a single mother and typically stands up for what she believes in. Attractive, strong, ambitious.
Gender: female
Age: 40 to 50
Vocal range top: D5
Vocal range bottom: F3
Doralee
A young, sexy spitfire who works at Mr. Hart’s office. She is proof that there is more to a woman than just her looks.
Gender: female
Age: 20 to 30
Vocal range top: E5
Vocal range bottom: G3
Judy
The “new” girl at the firm, she has been burned by her husband’s affair and is searching for personal empowerment. Insecure, determined, and hopeful.
Gender: female
Age: 30 to 35
Vocal range top: F5
Vocal range bottom: Ab3
Franklin Hart
One of the firm’s executives and a notorious chauvinist. He is capable of faking charm but usually shows his true colors as an arrogant, self-absorbed boss.
Gender: male
Age: 45 to 50
Vocal range top: Gb4
Vocal range bottom: C3
Roz Keith
The attentive office gossip queen and snitch. She has an unrequited love for Mr. Hart and will do anything she can to win his approval.
Gender: female
Age: 35 to 45
Vocal range top: C5
Vocal range bottom: G3
Joe
A handsome, young office accountant. Genuine and nice, and smitten with Violet.
Gender: male
Age: 25 to 35
Vocal range top: G4
Vocal range bottom: B2
Dwayne
Doralee’s attractive husband. He is very supportive of her professional pursuits.
Gender: male
Age: 25 to 30
Vocal range top: G4
Vocal range bottom: E2
Josh
Violet’s awkward teenage son.
Gender: male
Age: 15 to 18
Missy
Franklin Hart’s wife, clueless to her husband’s true nature.
Gender: female
Age: 20 to 35
Maria
A young and vibrant secretary in Hart’s office.
Gender: femaleAge: 20 to 30
Vocal range top: D5
Vocal range bottom: F4
Dick
Judy’s soon-to-be ex-husband. An average guy, he is sporting a little less hair and a little more paunch than he did ten years ago.
Gender: male
Age: 35 to 45
Kathy
A secretary in Hart’s office with a tendency to gossip.
Gender: female
Age: 30 to 40
Vocal range top: D5
Vocal range bottom: G4
Margaret
A secretary in Hart’s office with a tendency to drink.
Gender: female
Age: 30 to 40
Tinsworthy
Franklin Hart’s boss and Chariman of the Board. A good man, who may be wiser to Hart’s ways than he lets on.
Gender: male
Age: 50 to 65Russell Tinsworthy (Chairman of the Board): male-presenting; intimidating head of Consolidated, Inc. This role will either be a speaking-only role or doubled by an ensemble member, depending on the outcome of the auditions.
Ensemble
Office employees, police officers, hospital employees.
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
Dates for SEASON 49 Auditions!
COMING SOON!
KEEP A LOOK OUT HERE FOR AUDITION DATES FOR THESE EXCITING SHOWS AND MORE!
All auditions will be held at 7pm, unless otherwise advertised.
Information on what to prepare will be put out 2-3 weeks in advance of auditions.
Community Theatre League Audition Policy
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
If, after open auditions, the director believes that a particular role or roles cannot be cast, additional actors may be contacted and further auditions may be held as required. Being invited to audition, either directly or indirectly, does not guarantee a role.
In the event an actor cannot attend regular auditions, s/he may audition at a pre-arranged time at the director’s discretion. Callbacks will be held if necessary. Not being called back does not mean that auditionees are not cast in the show. Likewise, being called back does not guarantee casting.
Please note that by auditioning, you are obligating yourself to a considerable rehearsal and performance process. Please be certain that you are willing and able to make this commitment.
Audition / Rehearsal Facts and FAQs
CTL strives to make the audition process a positive and comfortable experience for everyone. Our goal is to put on a wonderful show for the audience and an enjoyable and fulfilling process for local performers.
Anyone may audition, depending on the age groups required for the selected play or musical. Some people come to auditions who are long-time, experienced performers, while some have never been on stage before. No experience is necessary for tryouts. Frequently, auditionees who may not be cast in a particular show choose to participate in the production, through backstage, costuming or technical support.
Play auditions generally do not require advance preparation. Actors may be asked to perform monologues, or may be asked to read from the selected script and to interact with other performers during the audition process, at the discretion of the director. For musicals, you will be asked to bring your own piece of prepared music. Unless stated otherwise in the audition notice, you may bring a CD with pre-recorded background instrumentals (i.e., karaoke tracks). Most singers use sheet music, and an accompanist will be provided for you.
Most directors post information on the CTL website regarding character outlines and a synopsis of the show. Reviewing this information before auditions should provide an idea of what parts might be available and suitable for a specific performer. Please be advised that stage productions of stories which may have also been produced as books or movies might have differences in cast and content.
Rehearsal times vary depending on the director. Most rehearsals will run 2-3 hours. Starting times vary. Shows with children in the cast usually start earlier in the evening than those with adults. Starting times are usually 6:30 PM or 7:00 PM. An effort is made early in the rehearsal process to target specific performers at specific times, to minimize “down time” for performers at rehearsals.
All those who audition are contacted via phone or email. An announcement is made at auditions, to advise when auditionees should expect to hear from a member of the production team. A cast list is posted on the CTL website once it is final.
Casting decisions are ultimately made by the Director, with input from the show’s production staff, which includes the Production Manager, Music Director and Choreographer (if applicable), Stage Manager, and at least one member of CTL’s Production Planning Committee.
The Community Theatre League reserves the right to recast a part if a performer behaves in a manner that is deemed detrimental to the production.
Tips for Auditioning
CTL is a volunteer-run non-profit and, as such, is always looking for more people to audition, organize and just help out in general. To keep up with the details of each audition, check this website often, listen to the radio stations of Clear Channel Williamsport, check your local newspaper’s arts and entertainment section, email, or call the theatre at 327-1777, weekdays 11-4.
Before auditioning
Check the rehearsal and performance schedules before you audition. Probably one of the worst things is to audition, get a great part and then find out that rehearsals interfere with classes or that you’ll be out of town during the 2 weeks the play goes on. Always err on the side of asking too many questions to make sure you can fulfill your obligations.
Read up on the play you’ll be auditioning for. This goes not only for the actual audition piece (if provided), but it’s good to check, especially in newer or independent works, for any subject matter that you may be uncomfortable with. Very little is sacred to some playwrights, so do your homework.
Practice the required audition piece (if available) until you know it by heart. Called “off book” in theater lingo, being able to speak the part freely shows professionalism and allows you to use your hands and body language during your scene. Practice alone in front of a mirror, as well as with others either as an audience or someone feeding you responses if the audition piece is interactive.
If the show is a musical, you will be required to sing a short song. The standard length of an audition piece is 16 measures, which would be roughly a verse or chorus of a tune. Each director is different and some may allow you to sing more than 16 bars or even all of the song so you should bring sheet music (in the correct key) for the accompanist. Unless specifically stated in the audition notice, CD’s and background tracks (karoke CDs) are allowed. The piece should be memorized, but if not, a second copy for yourself is best. Most auditions at CTL happen in large groups, which means you will likely be requested to sing in front of the group.
Be prepared to commit time to building sets and sewing costumes if necessary. Remember, many community theaters are volunteer run and funding comes either from grants or the success of the last performance. Pitching in may be expected, and even if it isn’t, if you have the time consider contributing anyway since it’ll only make the total experience that much better.
F.Y.I.
It may take up to two weeks for the directors to cast the show. Be patient. The directors are always looking for just the right combination of people to have a great show.
Best of luck!