Auditioning At CTL
The Community Theatre League is holding open auditions for
“HARMONY: many voices, one song”…at Corner of Broadway & Third Concert
Audition Information:
Audition Video Due Date: April 25, 11:59PM
Performance Dates: May 16 & 17
Director: Tim Hippensteel
Music Director: Max Theiss
HARMONY: MANY VOICES, ONE SONG,” a concert that brings the magic of musical theatre to life in a powerful exploration of the human experience. Through a rich and eclectic mix of Broadway and musical theatre classics, this concert journeys through the lives of diverse characters from all walks of life—each with their own unique story to tell. From moments of joy and triumph to struggles and dreams, every song will illuminate the beauty of individuality while reflecting the universal threads that unite us all. The evening builds to a soaring finale, where these distinct voices blend into one, creating a breathtaking celebration of community, connection, and togetherness. It’s a stirring reminder that, despite our differences, we are all connected—bound by the universal power of music and the timeless stories of the stage.
What to Prepare For Your Audition:
Please prepare a video audition (30-60 second in length) of one of the following music selection (NOTE: THESE SONGS DO NOT NECESSARILY NOT REPRESENT THE SONG SELECTIONS FROM THE SHOW)…
MAIL YOUR VIDEO AUDITION FILE OR LINK TO CTL@CTLshows.com
- “Wig in a Box” – Hedwig and the Angry Inch
- “Maybe This Time” – Cabaret
- “I Am What I Am” – La Cage aux Folles
- “I’m Here” – The Color Purple
- “Here’s Where I Stand” – Camp
- “The Movie in My Mind” – Miss Saigon
- “I Dreamed a Dream” – Les Misérables
- “This is Me” – The Greatest Showman
- “I Miss the Mountains” – Next to Normal
- “Breathe” – In the Heights
- “Wait for It” – Hamilton
- “Not My Father’s Son” – Kinky Boots
- “Freeze your Brain” – Heathers
- “Love Who You Love” – A Man of No Importance
- “My Brother Lived in San Francisco” – Elegies for Angels, Punks, and Raging Queens
- “Inútil” – In the Heights
- “Waiting for Life” – Once on this Island
- “Out There” – The Hunchback of Notre Dame
****Please Note: Most characters we encounter currently are written with he/him or she/her pronouns. However limiting the descriptions are, our casting seeks to be inclusive as possible and we invite gender non-conforming, genderqueer, transgender, and non-binary actors to submit for the roles they most identify with. We will also list race/ethnicity when specific to the character but are otherwise seeking all races and ethnicities.****
Violet
The company’s Head Secretary and Mr. Hart’s Administrative Assistant, she is a single mother and typically stands up for what she believes in. Attractive, strong, ambitious.
Gender: female
Age: 40 to 50
Vocal range top: D5
Vocal range bottom: F3
Doralee
A young, sexy spitfire who works at Mr. Hart’s office. She is proof that there is more to a woman than just her looks.
Gender: female
Age: 20 to 30
Vocal range top: E5
Vocal range bottom: G3
Judy
The “new” girl at the firm, she has been burned by her husband’s affair and is searching for personal empowerment. Insecure, determined, and hopeful.
Gender: female
Age: 30 to 35
Vocal range top: F5
Vocal range bottom: Ab3
Franklin Hart
One of the firm’s executives and a notorious chauvinist. He is capable of faking charm but usually shows his true colors as an arrogant, self-absorbed boss.
Gender: male
Age: 45 to 50
Vocal range top: Gb4
Vocal range bottom: C3
Roz Keith
The attentive office gossip queen and snitch. She has an unrequited love for Mr. Hart and will do anything she can to win his approval.
Gender: female
Age: 35 to 45
Vocal range top: C5
Vocal range bottom: G3
Joe
A handsome, young office accountant. Genuine and nice, and smitten with Violet.
Gender: male
Age: 25 to 35
Vocal range top: G4
Vocal range bottom: B2
Dwayne
Doralee’s attractive husband. He is very supportive of her professional pursuits.
Gender: male
Age: 25 to 30
Vocal range top: G4
Vocal range bottom: E2
Josh
Violet’s awkward teenage son.
Gender: male
Age: 15 to 18
Missy
Franklin Hart’s wife, clueless to her husband’s true nature.
Gender: female
Age: 20 to 35
Maria
A young and vibrant secretary in Hart’s office.
Gender: femaleAge: 20 to 30
Vocal range top: D5
Vocal range bottom: F4
Dick
Judy’s soon-to-be ex-husband. An average guy, he is sporting a little less hair and a little more paunch than he did ten years ago.
Gender: male
Age: 35 to 45
Kathy
A secretary in Hart’s office with a tendency to gossip.
Gender: female
Age: 30 to 40
Vocal range top: D5
Vocal range bottom: G4
Margaret
A secretary in Hart’s office with a tendency to drink.
Gender: female
Age: 30 to 40
Tinsworthy
Franklin Hart’s boss and Chariman of the Board. A good man, who may be wiser to Hart’s ways than he lets on.
Gender: male
Age: 50 to 65Russell Tinsworthy (Chairman of the Board): male-presenting; intimidating head of Consolidated, Inc. This role will either be a speaking-only role or doubled by an ensemble member, depending on the outcome of the auditions.
Ensemble
Office employees, police officers, hospital employees.
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
The Community is holding open auditions for high school actors aged rising 9th grade thru graduating Seniors for…
Sister Act The Musical
Audition Information:
Audition Dates: May 11 & 12 @ 7PM
AUDITIONS FOR ACTORS (high school actors aged rising 9th grade thru graduating Seniors)
Audition Location: Trachte Music Center, 328 E 4th St, Williamsport, PA
Performance: July 11-13, 2025 on The Community Arts Center Stage
Those that can not make these auditions should reach out to CTL@CTLshows.com to make different audition plans.
Director: Seth Sponhouse
Music Director: Sarah Keely Decker
Choreographer: Aimee Hunsinger
About the Show:
When disco diva Deloris Van Cartier witnesses a crime, she’s hidden in the last place anyone would think to look—a convent! Disguised as a nun, she turns the quiet choir into a heavenly sensation, bringing music, soul, and a whole lot of sparkle to the sisters’ lives. Sister Act: The Musical is a feel-good, family-friendly show filled with powerful gospel music, outrageous comedy, and heart. Don’t miss this divine celebration of friendship, faith, and finding your voice!
What to Prepare For Your Audition:
Dance: Dress comfortable and ready to move and learn the choreography to one of the numbers in the show.
Music please should prepare one of the following songs based on the character you are most interested in playing | Sheet Music can be found in the libretto HERE.
- Deloris “Take Me to Heaven (Nightclub Version)” Start at 0:22 (m. 17-62)
- Mother Superior “Here Within These Walls” (m. 3-40)
- Mary Robert “The Life I Never Led” Start at 3:32 (m. 201-257)
- Mary Lazarus “Sunday Morning Fever” Start 3:51 (m. 119-131)
- Ensemble “Raise Your Voice” Start at 0:08 (m. 7-37)
- Curtis “When I Find My Baby” Start at 0:16 (m. 8-43)
- Eddie “I Could Be That Guy” Start at 0:57 (m. 24-55)
- Thugs (TJ, Joey, Pablo) “Lady in the Long Black Dress” Start at 0:20 (m. 9-25)
Deloris Van Cartier
An aspiring performer, trying to find both fame and a place in the world. When forced to hide in the convent, she initially refuses to embrace her new lifestyle but learns to embrace it when she works with the choir. Loud-mouthed, and sassy, but ultimately caring.
Gender: Female
Vocal range top: F#5
Vocal range bottom: E3
Mother Superior
The head of the convent, sarcastic and a bit stiff. Extremely protective about keeping her sisters away from the outside world, which puts her in direct opposition to Deloris and her musical teachings.
Gender: Female
Vocal range top: E5
Vocal range bottom: D3
Sister Mary Robert
A postulant, abandoned as a baby and raised at the convent. Shy and soft-spoken, but singing with Deloris lets her find her voice. Her wallflower lifestyle has made her live a shell of a life.
Gender: Female
Vocal range top: A5
Vocal range bottom: F#3
Sister Mary Patrick
A nun of the convent. Consistently perky, enthusiastic, and easily excitable.
Gender: Female
Sister Mary Lazarus
A nun of the convent and the head of the choir. Rather deadpan and the least welcoming of any of the nuns, but she gets caught up in Deloris’s soul music.
Gender: Female
Vocal range top: B4
Vocal range bottom: F3
Monsignor O’hara
One of the heads of the convent. Constantly concerned with financial matters, though soul music surprisingly puts him in a different mood.
Gender: Male
Vocal range top: G4
Vocal range bottom: E3
Curtis
A club owner, notorious gangster, and Deloris’s boyfriend. Cocky and controlling, always on the verge of violence.
Gender: Male
Vocal range top: Ab4
Vocal range bottom: A2
Eddie Souther
The desk chief at the Philadelphia police station and a high school classmate of Deloris who helps get her into hiding. Faces a lot of nerves when under pressure, causing him to sweat profusely. He still yearns for Deloris after all these years, and dreams of being her hero.
Gender: Male
Vocal range top: B4
Vocal range bottom: Ab2
Tj
Curtis’s nephew and one of his thugs. Deft and cognizant of the fact, constantly in a state of ignorant bliss.
Gender: Male
Vocal range top: Eb5
Vocal range bottom: Db3
Joey
One of Curtis’s thugs. Believes himself to be quite the ladies’ man.
Gender: Male
Vocal range top: Eb5
Vocal range bottom: Bb2
Pablo
One of Curtis’s thugs. A natural follower, constantly speaks in Spanish.
Gender: Male
Vocal range top: F5
Vocal range bottom: C4
Sister Mary Martin-of-tours
A nun of the convent. Clearly in her own world, but has her moments of surprising clarity.
Gender: Female
Sister Mary Theresa
A nun of the convent, the oldest of the group. Decrepit at a glance, but secretly packs a punch.
Gender: Female
Michelle
One of Deloris’s back-up singers. Lippy and always quick with a retort.
Gender: Female
Vocal range top: F5
Vocal range bottom: Bb3
Tina
One of Deloris’s back-up singers. A little thick and naive.
Gender: Female
Vocal range top: F5
Vocal range bottom: Ab3
Ernie
One of Curtis’s thugs. Initially thought to be a mindless yes-man, he turns out to be an undercover police informant.
Gender: Male
Ensemble
Nuns; Bar Denizens (Bar Patron, Waitress, Pool Player, Drag Queen); Homeless People; Fantasy Dancers
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
The Community Theatre League is holding open auditions for actors aged 18-22 for…
PIPPIN
Audition Information:
Audition Dates: May 18 & 19 @7PM
AUDITIONS FOR ACTORS (age 18-22)
Performance Dates: July 24 – 27, 2025
Director & Choreographer: Katie Conklin
Music Director: Max Theiss
Pippin is the son of King Charlemagne, but he feels unfulfilled by the royal duties that await him. Determined to find his purpose, Pippin embarks on a series of extraordinary adventures, encountering a colorful cast of characters along the way, including a cunning temptress, a charismatic leading player, and a wise grandmother. As Pippin navigates through love, war, and self-discovery, he must confront the ultimate question: what truly makes life extraordinary? With its dazzling choreography, unforgettable songs, and thought-provoking themes, “Pippin” is a timeless tale of ambition, sacrifice, and the search for meaning.
What to Prepare For Your Audition:
- DANCE: Dress comfortable and ready to move, with appropriate footwear for a FOSSE style dance combination.
- READING: Some actors may be asked to “cold read” selections from the show. (Cold Readings: an impromptu reading of a script without prior knowledge of the selection)
- MUSIC: please prepare…TBD
Available Roles:
The ultimate ‘ring leader.’ Masterfully charming and manipulative, the Leading Player is a chameleon of sorts. Guides Pippin through his own story and tries to intervene at the end. excellent dancer. Obsessed with putting on a great show for the audience.
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
Dates for SEASON 48 Auditions!
KEEP A LOOK OUT HERE FOR AUDITION DATES FOR THESE EXCITING SHOWS AND MORE!9 to 5 April 6 & 7
SISTER ACT: THE MUSICAL (Summer Youth Intensive) May 11 & 12
PIPPIN (Summer College Intensive) May 18 & 19
All auditions will be held at 7pm, unless otherwise advertised. Information on what to prepare will be put out 2-3 weeks in advance of auditions.Community Theatre League Audition Policy
All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
If, after open auditions, the director believes that a particular role or roles cannot be cast, additional actors may be contacted and further auditions may be held as required. Being invited to audition, either directly or indirectly, does not guarantee a role.
In the event an actor cannot attend regular auditions, s/he may audition at a pre-arranged time at the director’s discretion. Callbacks will be held if necessary. Not being called back does not mean that auditionees are not cast in the show. Likewise, being called back does not guarantee casting.
Please note that by auditioning, you are obligating yourself to a considerable rehearsal and performance process. Please be certain that you are willing and able to make this commitment.
Audition / Rehearsal Facts and FAQs
CTL strives to make the audition process a positive and comfortable experience for everyone. Our goal is to put on a wonderful show for the audience and an enjoyable and fulfilling process for local performers.
Anyone may audition, depending on the age groups required for the selected play or musical. Some people come to auditions who are long-time, experienced performers, while some have never been on stage before. No experience is necessary for tryouts. Frequently, auditionees who may not be cast in a particular show choose to participate in the production, through backstage, costuming or technical support.
Play auditions generally do not require advance preparation. Actors may be asked to perform monologues, or may be asked to read from the selected script and to interact with other performers during the audition process, at the discretion of the director. For musicals, you will be asked to bring your own piece of prepared music. Unless stated otherwise in the audition notice, you may bring a CD with pre-recorded background instrumentals (i.e., karaoke tracks). Most singers use sheet music, and an accompanist will be provided for you.
Most directors post information on the CTL website regarding character outlines and a synopsis of the show. Reviewing this information before auditions should provide an idea of what parts might be available and suitable for a specific performer. Please be advised that stage productions of stories which may have also been produced as books or movies might have differences in cast and content.
Rehearsal times vary depending on the director. Most rehearsals will run 2-3 hours. Starting times vary. Shows with children in the cast usually start earlier in the evening than those with adults. Starting times are usually 6:30 PM or 7:00 PM. An effort is made early in the rehearsal process to target specific performers at specific times, to minimize “down time” for performers at rehearsals.
All those who audition are contacted via phone or email. An announcement is made at auditions, to advise when auditionees should expect to hear from a member of the production team. A cast list is posted on the CTL website once it is final.
Casting decisions are ultimately made by the Director, with input from the show’s production staff, which includes the Production Manager, Music Director and Choreographer (if applicable), Stage Manager, and at least one member of CTL’s Production Planning Committee.
The Community Theatre League reserves the right to recast a part if a performer behaves in a manner that is deemed detrimental to the production.
Tips for Auditioning
CTL is a volunteer-run non-profit and, as such, is always looking for more people to audition, organize and just help out in general. To keep up with the details of each audition, check this website often, listen to the radio stations of Clear Channel Williamsport, check your local newspaper’s arts and entertainment section, email, or call the theatre at 327-1777, weekdays 11-4.
Before auditioning
Check the rehearsal and performance schedules before you audition. Probably one of the worst things is to audition, get a great part and then find out that rehearsals interfere with classes or that you’ll be out of town during the 2 weeks the play goes on. Always err on the side of asking too many questions to make sure you can fulfill your obligations.
Read up on the play you’ll be auditioning for. This goes not only for the actual audition piece (if provided), but it’s good to check, especially in newer or independent works, for any subject matter that you may be uncomfortable with. Very little is sacred to some playwrights, so do your homework.
Practice the required audition piece (if available) until you know it by heart. Called “off book” in theater lingo, being able to speak the part freely shows professionalism and allows you to use your hands and body language during your scene. Practice alone in front of a mirror, as well as with others either as an audience or someone feeding you responses if the audition piece is interactive.
If the show is a musical, you will be required to sing a short song. The standard length of an audition piece is 16 measures, which would be roughly a verse or chorus of a tune. Each director is different and some may allow you to sing more than 16 bars or even all of the song so you should bring sheet music (in the correct key) for the accompanist. Unless specifically stated in the audition notice, CD’s and background tracks (karoke CDs) are allowed. The piece should be memorized, but if not, a second copy for yourself is best. Most auditions at CTL happen in large groups, which means you will likely be requested to sing in front of the group.
Be prepared to commit time to building sets and sewing costumes if necessary. Remember, many community theaters are volunteer run and funding comes either from grants or the success of the last performance. Pitching in may be expected, and even if it isn’t, if you have the time consider contributing anyway since it’ll only make the total experience that much better.
F.Y.I.
It may take up to two weeks for the directors to cast the show. Be patient. The directors are always looking for just the right combination of people to have a great show.
Best of luck!