The Community Theatre League is holding open auditions for…

Annie

Open Call Audition · Non-Equity · Non-Paid

Important Dates

Auditions — Actors Ages 6–16

Sunday, October 18 | 5:00–7:00 PM or Monday, October 19 | 5:00–7:00 PM

Please note: Children need to be 6 years old by the first rehearsal to be eligible for this audition. Regardless of age, please look carefully at the rehearsal and performance schedule to make sure your child and family are fully prepared for this rigorous schedule — not every young actor will thrive with regular late nights and the high expectations of this production.

Auditions — Actors 17 and Up

Sunday, October 18 | 7:00 PM or Monday, October 19 | 7:00 PM

Callbacks

October 21, 2026 — By invitation only. Not all roles will be called back.

Performance Dates

December 11–13 and 16–20, 2026
December 11, 12, 16, 17, 18 & 19 at 7:30 PM
December 13, 19 & 20 at 2:00 PM

All performances are mandatory!
Please note: December 16 at 7:30 PM and December 19 at 2:00 PM are private performances.

Location

Community Theatre League
100 West Third Street
Williamsport, PA 17701

What to Prepare

  • Dance/Movement: Dress comfortably and be ready to move, with appropriate footwear (closed-toed shoes, character shoes if applicable) for a short choreography sequence audition.
  • Reading: Some may be asked to stay and read excerpts from the script.
  • Adult Music: Please prepare up to 1 minute in the style of the show for your singing audition. Bring your own track. No a cappella auditions.

All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage.

Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.

Plot Summary

Based on the popular comic strip by Harold Gray, Annie has become a worldwide phenomenon and was the winner of seven Tony Awards, including Best Musical. The beloved book and score by Tony Award winners Thomas Meehan, Charles Strouse, and Martin Charnin feature some of the greatest musical theatre hits ever written, including “Tomorrow.”

With equal measures of pluck and positivity, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. She is determined to find the parents who abandoned her years ago on the doorstep of a New York City orphanage run by the cruel, embittered Miss Hannigan. With the help of the other girls in the orphanage, Annie escapes to the wondrous world of NYC. In adventure after fun-filled adventure, Annie foils Miss Hannigan’s evil machinations… and even befriends President Franklin Delano Roosevelt! She finds a new home and family in billionaire Oliver Warbucks, his personal secretary Grace Farrell, and a lovable mutt named Sandy.

Production Staff

DirectorKim Fulmer
Music DirectorLonnie Bechtel
ChoreographerAimee Hunsinger
Costume DesignerCaroline Cipriani
Stage ManagerAllison Panczyszyn

Available Roles

Youth Roles (Includes Annie and Orphans)

Please note: Children need to be 6 years old by the first rehearsal to be eligible for this audition. Regardless of age, please look carefully at the rehearsal and performance schedule to make sure your child and family are fully prepared for this rigorous schedule — not every young actor will thrive with regular late nights and the high expectations of this production.

Annie

Female · Any Ethnicity · Age 10–12

A tough, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound “family” who loves her. Although she is at times aggressive or crafty, the audience should never doubt Annie is a friendly and caring child; she will go to any extent to gain the love of a family to which she can belong. A truly confident, charming actress with strong vocals who can move well.

Vocal Range: A3–G5 (Mezzo-Soprano)

Orphans

Female · Any Ethnicity · Ages 8–15 to play ages 6–13

These girls are gritty, neglected, and vulnerable, yet honest and lovable. The actresses portraying these roles must be able to have mischievous fun with each other as well as “sibling-style” fights. Confident actresses who are visually expressive, vocally strong, and good movers will be considered for these roles. Tap/jazz training is a plus. There are 6 named orphans (plus Annie), and we are considering casting a small orphan ensemble, with a final decision coming after callbacks.

Named Orphans, Youngest to Oldest

  • Molly — Youngest orphan. Best friends with Annie.
  • Kate — Shyest orphan, friends with everyone.
  • Tessie — Most emotional — cries or laughs easily.
  • Pepper — Tough and bossy. Clashes with Annie.
  • July — Quietest orphan, goes along with the crowd.
  • Duffy — Tallest and most mature of the orphans.

Adult Roles

Oliver Warbucks

Male · Any Ethnicity · Age 35–55

A billionaire businessman, self-assured and confident. He is a stereotypical “rich man” who is used to the deference of others, issuing orders and expecting them to be fulfilled with the drop of a hat. He is powerful and decisive, as befits his status, yet beneath his gruff exterior lies an unexpected capacity for warmth. It takes the irrepressible optimism of one small orphan girl to remind this self-made titan that the most important things in life are the ones his fortune cannot buy. Strong singer/actor who can move well.

Vocal Range: B3–Gb5 (Baritone)

Grace Farrell

Female · Any Ethnicity · Age 22–35

Grace is a loyal, private secretary to Oliver Warbucks — mature, calm, cool, and “together.” She is classy and businesslike when dealing with Miss Hannigan and Warbucks, yet maternal toward Annie. Grace should seem ready with an answer for just about anything. Each dramatic situation should seem to come “under control” the moment she glides into a scene. A warm, confident actress with strong vocals. Ballet training is preferred but not required.

Vocal Range: Bb3–G5 (Soprano)

Miss Agatha Hannigan

Female · Any Ethnicity · Age 30–45

The orphanage matron is definitely a “has-been.” Her distaste for her job and the children that are part of it should be obvious in every line she speaks, every song she sings, and every move she makes. She utterly hates children, but is fond of liquor. Very disillusioned, bitter, and cold but quick-witted. Excellent comedic timing and strong vocals are integral to the role.

Vocal Range: A3–F5 (Alto)

Daniel Francis “Rooster” Hannigan

Male · Any Ethnicity · Age 25–35

Miss Hannigan’s no-good brother — flashy, slick, and always angling for a quick buck. He carries himself with the easy confidence of a born con man, and every move he makes should feel like a gambler laying down a winning hand. He and Lily are two of a kind, a double act who feed off each other’s energy at every turn. The role calls for a charismatic performer with a natural swagger, confident vocals, and the smooth physicality to match. Dance training is a plus.

Vocal Range: B3–G5 (Tenor)

Lily St. Regis

Female · Any Ethnicity · Age 20–35

Rooster’s materialistic girlfriend and willing accomplice, Lily is perpetually distracted and reliably last to catch on — unless money enters the conversation, at which point she snaps to attention with impressive speed. She is never the one leading the charge, more often found bringing up the rear and tripping over her own feet. A natural comedic foil to Rooster’s slick confidence, the role calls for a performer with a flair for physical comedy and the charm to match. Dance training is a plus.

Vocal Range: B3–G5 (Soprano)

Featured Ensemble (8–12 actors, ages 16+)

A high-energy cast of singers, actors, and movers to play the following characters. Dance training is a plus but not required.

Mansion Staff

Any Ethnicity · Age 20–60

From the moment these characters enter the acting area, their presence, posture, and speech should suggest the most fastidious of domestic help. Their heads are always held high and they rarely show their emotions. Played by creative performers who can create charming, individual characters.

  • Drake — The English butler.
  • Mrs. Greer — The head housekeeper.
  • Mrs. Pugh — The cook.
  • Cecille & Annette — French maids.

President Roosevelt

Male · Caucasian · Age 40–60

The 32nd President of the United States. A Democrat and friend of Warbucks.

Vocal Range: Eb3–F4 (Baritone)

Bert Healy

Male · Any Ethnicity · Age 30–45

The ultimate radio personality. Head of the Oxydent Hour of Smiles radio show, he helps Annie by broadcasting about the search for her birth parents. A strong, solo-quality singer capable of a vaudeville-style delivery.

Vocal Range: E4–G5 (Tenor)

Boylan Sisters: Ronnie, Connie, and Bonnie

Female · Any Ethnicity · Age 20–30

The enchanting backing group at the Oxydent Hour of Smiles who aid Bert Healy in singing “You’re Never Fully Dressed Without a Smile.”

Vocal Range: A3–Gb5 (Soprano)

Additional Ensemble Roles

  • Star-To-Be — Hopeful and confident actress just arrived in New York City. Iconic solo in “N.Y.C.” Tap dance training preferred.
  • Mr. Bundles — A laundry man.
  • Lt. Ward & Policeman — Callous policemen.
  • Dog Catcher & Assistant — New York City dog catchers.
  • Jimmy Johnson — “Radio’s Only Masked Announcer”; guest on the Oxydent Hour of Smiles.
  • Fred McCracken — Ventriloquist guest on the Oxydent Hour of Smiles.
  • Roosevelt’s Cabinet — Brash advisors to the president.
  • Justice Louis Brandeis — U.S. Supreme Court Justice; called on to aid in Annie’s adoption.
  • Apple Seller — Fruit seller trying to make it through the day.
  • Eddie & Sophie — Residents of the Hooverville shanty Annie runs off to. Kind but embittered.

Other ensemble characters include NYC residents, Hooverville residents, and mansion servants.

The Community Theatre League is holding open auditions for…

Disney’s Frozen

Open Call Audition · Non-Equity · Non-Paid

Important Dates

Auditions — ACTORS Ages 8–16

Sunday, January 3, 2027 | 5:00–7:00 PM

Auditions — aCTORS Ages 17 and Up

Sunday, January 3, 2027 | 7:00 PM or Monday, January 4, 2027 | 7:00 PM

Callbacks

January 6, 2027 at 6:00 PM — By invitation only. Not all roles will be called back.

Performance Dates

March 12 & 13, 2027 (3 performances over 2 days)
Friday, March 12 at 7:30 PM
Saturday, March 13 at 2:00 PM & 7:30 PM

All performances are mandatory.

Rehearsal Schedule

January 10–March 8 at the Community Theatre League
6:00–9:00/9:30 PM Mondays–Thursdays (not everyone will be called/needed every night)
10:00 AM–1:00 PM some Saturdays

Tech Week: March 9–11 at the Journey Bank Community Arts Center
6:00 PM call time for Tech Week

Please note: the rehearsal end time is highly approximate. There will be no specified end time during tech week. We will be very respectful of everyone’s time.

Location

Community Theatre League
100 West Third Street
Williamsport, PA 17701

What to Prepare

  • Dance/Movement: Dress comfortably and be ready to move, with appropriate footwear (closed-toed shoes, character shoes if applicable) for a short choreography sequence audition.
  • Music: Please prepare up to 32 bars of a song from the show. Find a track online, or feel free to use this reference playlist. You may bring sheet music in your key; an accompanist will be provided.
  • Reading: Some may be asked to stay and read excerpts from the script.

Music & Lyrics by Kristen Anderson-Lopez & Robert Lopez · Book by Jennifer Lee
Presented by arrangement with Music Theatre International.

Plot Summary

For the first time in forever, experience the musical phenomenon that has taken the world by storm! Based on the Academy Award–winning animated feature film, Disney’s Frozen includes all the film’s beloved songs by Kristen Anderson-Lopez and Robert Lopez, along with new music written exclusively for the stage.

In the beautiful mountainous kingdom of Arendelle, Princesses Anna and Elsa grow up sheltered inside their castle, isolated from the world and increasingly distant from each other. When Elsa is crowned queen, the magical powers she’s desperately tried to conceal from her sister take control, and she flees into the mountains. As a ferocious winter descends on Arendelle, Anna sets off on an epic journey to find Elsa and bring her home — with the help of hardworking ice harvester Kristoff, his loyal reindeer Sven, and a happy-go-lucky snowman named Olaf.

Full of magic, humor, and a stunning musical score, Frozen is a powerful tale of sisterhood, acceptance, and the true meaning of love.

Production Staff

DirectorSeth Sponhouse
Music DirectorMarisa Sorrentino Hickey
ChoreographerKat Shondeck
Assistant DirectorTBA
Assistant ChoreographerErin Mowrey
Costume DesignerMissy Black
Stage ManagerSara Jones

Available Roles

Roles are open to performers of all races, genders, and body types.

Elsa

Female · Vocal Range E3–Eb5

Future Queen of Arendelle and Anna’s older sister, born with magical powers, isolates herself from others out of fear.

Anna

Female · Vocal Range G3–E5

Princess of Arendelle and Elsa’s younger sister; an eternal optimist who longs to be loved and to connect with other people.

Kristoff

Male · Vocal Range A2–Bb4

Hardworking ice harvester with a prickly exterior that hides a big heart.

Hans

Male · Vocal Range A2–A4

Prince of the Southern Isles and youngest of thirteen brothers; charming and ambitious.

Olaf

Any · Vocal Range (Alto Key) E3–Eb5 or (Tenor Key) B2–Bb4

Magical snowman with a childlike innocence.

Sven

Male · Vocal Range A3–Bb4

Kristoff’s fiercely loyal reindeer best friend.

Oaken

Male · Vocal Range A2–Bb4

Amiable salesperson and relentless advocate of hygge; cheerful and jolly.

Weselton

Male · Vocal Range A3–A4

Duke from a neighboring kingdom; chauvinistic, impolite, and judgmental.

Young Anna

Female · Vocal Range Bb3–E5

Younger princess of Arendelle with youthful exuberance; fun-loving troublemaker; mesmerized by her sister’s magic.

Young Elsa

Female · Vocal Range A3–E5

Elder princess of Arendelle with magical powers; obedient daughter; protective sister.

Queen Iduna

Female · Vocal Range F3–E5

Queen of Arendelle and child of the Northuldra; strong and compassionate mother.

King Agnarr

Male · Vocal Range B2–C3

King of Arendelle; warm-hearted and protective father.

Pabbie

Male · Vocal Range Ab2–Gb4

Mystical shaman and patriarch of the Hidden Folk; Kristoff’s wise adoptive father.

Bulda

Female · Vocal Range Bb3–D5

Spiritual matriarch of the Hidden Folk; Kristoff’s nurturing and vibrant adoptive mother.

Ensemble

All Ages and Genders

Includes the following roles: Townspeople, Staff, Guards, Hidden Folk, Oaken’s Family and Friends, Volunteers, Bishop, Handmaiden, Lackeys, and Hidden Folk Child.

The Community Theatre League is holding open auditions for…

THE HOBBIT

Casting Actors must be aged 18 & up!

IMPORTANT AUDITION DATES:

  • Audition Dates:
    THIS DATE IS NEW AND REPLACES THE JAN 26TH DATE
    ****FEBRUARY 1 @ 7PM (NEW DATE)****
    January 25 @7PM
    January 26 @7PM

  • Performance Dates:
    May 1 & 2

  • Potential Callback Date:
    TBD

Those that can not make these auditions should reach out to CTL@CTLshows.com to make different audition plans.
Show Specific Production 

Director: Donnie Mapes

About the Show:
This 60-minute adaptation of Tolkien’s classic novel, designed for theatres of all sizes, is a suspenseful, fast-paced journey through the sometimes dark, sometimes charming, always compelling world of Middle Earth. Bilbo Baggins is a comfortably well-off hobbit with a love for rousing adventure stories. Real adventures, however, are definitely not his cup of tea. So when Gandalf the wizard knocks at Bilbo’s door, bringing with him Thorin Oakenshield, 11 ragged looking dwarfs and a contract for an adventure to recover the lost treasure of Lonely Mountain, Bilbo could not be less interested—at first. But Bilbo’s love of a good story gets the better of him, and before he knows it, he is off on a perilous quest over mountain and under hill through caves and forest and slimy dark places.

What to Prepare For Your Audition:

    • Actors need not prepare anything for their audition. You only need to bring a positive attitude, your best Tolkien story telling self, and be ready to have fun reading sides from the show.
All roles, unless otherwise announced, are open. 
CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.
 

NOTE: Casting Age range 18 & up

ACTOR’S CAST FOR THESE ROLES WILL NOT HAVE MORE ROLES ASSIGNED UNLESS ABSOLUTELY NECESSARY

  • BILBO BAGGIN
    A well-fed and well-to-do Hobbit. Simple, good-natured. Bilbo would much rather stay home than go on an adventure, but the temptation is a smidgeon more than he can bear. Bilbo is a very unlikely hero.
  • THORIN OAKENSHIELD
    Donned in Sky Blue with silver tassels, he is the Dwarven Prince of the Lonely Mountain, and rightful heir to the throne. Thorin is a very important dwarf and knows it, which makes him sometimes curt, haughty, and even belligerent at times. Wants to reclaim what is rightfully his and becomes obsessive once he does. 

  • BALIN
    Noted as being dressed in a Scarlet Hood, he is The eldest of the dwarves and Dwalin’s older brother. Balin is the wisest, least quick to anger of the dwarves, and displays the most understanding to Bilbo.

  • GLOIN
    Gloin is found in a white hood & shorter cape, but is a strong, loyal, and proud dwarf, known for being outspoken, somewhat greedy with money, and a fierce warrior, but ultimately valuing his family and friends over gold

  • BOMBUR
    In a light green cape with a hood, Bombur is a large, jovial, food-loving dwarf. He is the hearty, often clumsy, but ultimately lovable “gentle giant” of the company, embodying simple pleasures while still rising to challenges.

ACTOR’S CAST FOR THESE ROLES WILL POTENTIALLY BE DUAL CASTED/PORTRAY OTHER ROLES AS NEEDED

  • GANDALF
    Gandalf is the prototype for all wizards you’ve come to know. He appears as a wise old man, yet is somehow a scamp, eccentric, mysterious, grandfatherly kind, yet terrible to anger. He knows what will occur before it occurs yet does not entice the decision.

  • SMAUG
     A wicked and wily fire-breathing dragon, guarding his treasure but also keeping the men of Laketown in check. Plans are for this to be a large scale puppet worked by casted actor to voice him

  • GOLLUM
    Dark Green cloak with gold belt. Dwalin is younger brother of Balin, cousin to Oin and Gloin.

  • DWALIN
    Dark Green cloak with gold belt. Dwalin is younger brother of Balin, cousin to Oin and Gloin.

  • OIN
    Brown Hood with Gold Belt. The older brother of Gloin, cousin of Dwalin and Balin. Will be dual-cast in other roles.

  • BIFUR
    Yellow hood with Gold Belt. Cousin to Bofur & Bombur, Bifur is a gruff but loyal Dwarf warrior

  • BOFUR 
    Yellow Hood with Gold Belt. Brother to Bombur, Cousin to Bifur. Bofur is the heart of the dwarf company, a relatable character focused on enjoyment, friendship, and simple pleasures

  • DORI
    Grey Hood. Nori is a roguish dwarf with a “finder’s fee” mentality. Brother to Dori & Ori

  • ORI
    Grey Hood. Ori is the sweet-natured, bookish dwarf who unexpectedly rises to bravery, embodying quiet strength and artistic spirit amidst the perilous adventure. Youngest brother to Nori & Dori

  • FILI
    Blue Hood and Silver Belt. Fili is very level-headed, loyal and protective. Especially of his younger brother Kili, both of whom are Nephews to Thorin.
  • KILI
    Blue Hood and Silver Belt. The younger brother of Fili and Thorin’s nephew. Courageous, strong, and as a young dwarf, the most playful of them.
  • BARD
    Bard is a courageous, skilled, and responsible human Man from Lake-town. He embodies the honorable, decent aspect of Men, contrasting with the greed of dwarves and the complexities of other racces.
  • MAXWELL
    He is also a Human Man from Lake-Town. He is often at the side of Bard But when the dragon Smaug attacks Lake-town, he flees for his own safety while the town burns
  • DORK AND DOOF
    He is also a Human Man from Lake-Town. He is often at the side of Bard But when the dragon Smaug attacks Lake-town, he flees for his own safety while the town burns
  • Other various minor roles that will be dual cast include:
    Captain; Man; Goblin King; Misc Goblins; Misc Warriors

CHECK BACK SOON FOR MORE AUDITION OPPORTUNITIES!!!

KEEP A LOOK OUT HERE FOR AUDITION DATES FOR THESE EXCITING SHOWS AND MORE!

All auditions will be held at 7pm, unless otherwise advertised.
Information on what to prepare usually is available about 2-3 weeks in advance of auditions.

Community Theatre League Audition Policy

All roles, unless otherwise announced, are open. CTL encourages anyone who is interested to audition and is always eager to welcome new faces and fresh talent to its stage. Except as specifically required by the author for certain roles, The Community Theatre League has a non-discrimination casting policy, open to members of all races, sexes, creeds, orientations, and abilities. We encourage members of diverse backgrounds and abilities to audition for our productions.

If, after open auditions, the director believes that a particular role or roles cannot be cast, additional actors may be contacted and further auditions may be held as required. Being invited to audition, either directly or indirectly, does not guarantee a role.

In the event an actor cannot attend regular auditions, s/he may audition at a pre-arranged time at the director’s discretion. Callbacks will be held if necessary. Not being called back does not mean that auditionees are not cast in the show. Likewise, being called back does not guarantee casting.

Please note that by auditioning, you are obligating yourself to a considerable rehearsal and performance process. Please be certain that you are willing and able to make this commitment.

Audition / Rehearsal Facts and FAQs

CTL strives to make the audition process a positive and comfortable experience for everyone. Our goal is to put on a wonderful show for the audience and an enjoyable and fulfilling process for local performers.

Anyone may audition, depending on the age groups required for the selected play or musical. Some people come to auditions who are long-time, experienced performers, while some have never been on stage before. No experience is necessary for tryouts. Frequently, auditionees who may not be cast in a particular show choose to participate in the production, through backstage, costuming or technical support.

Play auditions generally do not require advance preparation. Actors may be asked to perform monologues, or may be asked to read from the selected script and to interact with other performers during the audition process, at the discretion of the director. For musicals, you will be asked to bring your own piece of prepared music. Unless stated otherwise in the audition notice, you may bring a CD with pre-recorded background instrumentals (i.e., karaoke tracks). Most singers use sheet music, and an accompanist will be provided for you.

Most directors post information on the CTL website regarding character outlines and a synopsis of the show. Reviewing this information before auditions should provide an idea of what parts might be available and suitable for a specific performer. Please be advised that stage productions of stories which may have also been produced as books or movies might have differences in cast and content.

Rehearsal times vary depending on the director. Most rehearsals will run 2-3 hours. Starting times vary. Shows with children in the cast usually start earlier in the evening than those with adults. Starting times are usually 6:30 PM or 7:00 PM. An effort is made early in the rehearsal process to target specific performers at specific times, to minimize “down time” for performers at rehearsals.

All those who audition are contacted via phone or email. An announcement is made at auditions, to advise when auditionees should expect to hear from a member of the production team. A cast list is posted on the CTL website once it is final.

Casting decisions are ultimately made by the Director, with input from the show’s production staff, which includes the Production Manager, Music Director and Choreographer (if applicable), Stage Manager, and at least one member of CTL’s Production Planning Committee.

The Community Theatre League reserves the right to recast a part if a performer behaves in a manner that is deemed detrimental to the production.

Tips for Auditioning

CTL is a volunteer-run non-profit and, as such, is always looking for more people to audition, organize and just help out in general. To keep up with the details of each audition, check this website often, listen to the radio stations of Clear Channel Williamsport, check your local newspaper’s arts and entertainment section, email, or call the theatre at 327-1777, weekdays 11-4.

Before auditioning

Check the rehearsal and performance schedules before you audition. Probably one of the worst things is to audition, get a great part and then find out that rehearsals interfere with classes or that you’ll be out of town during the 2 weeks the play goes on. Always err on the side of asking too many questions to make sure you can fulfill your obligations.

Read up on the play you’ll be auditioning for. This goes not only for the actual audition piece (if provided), but it’s good to check, especially in newer or independent works, for any subject matter that you may be uncomfortable with. Very little is sacred to some playwrights, so do your homework.

Practice the required audition piece (if available) until you know it by heart. Called “off book” in theater lingo, being able to speak the part freely shows professionalism and allows you to use your hands and body language during your scene. Practice alone in front of a mirror, as well as with others either as an audience or someone feeding you responses if the audition piece is interactive.

If the show is a musical, you will be required to sing a short song. The standard length of an audition piece is 16 measures, which would be roughly a verse or chorus of a tune. Each director is different and some may allow you to sing more than 16 bars or even all of the song so you should bring sheet music (in the correct key) for the accompanist. Unless specifically stated in the audition notice, CD’s and background tracks (karoke CDs) are allowed. The piece should be memorized, but if not, a second copy for yourself is best. Most auditions at CTL happen in large groups, which means you will likely be requested to sing in front of the group.

Be prepared to commit time to building sets and sewing costumes if necessary. Remember, many community theaters are volunteer run and funding comes either from grants or the success of the last performance. Pitching in may be expected, and even if it isn’t, if you have the time consider contributing anyway since it’ll only make the total experience that much better.

F.Y.I.

It may take up to two weeks for the directors to cast the show. Be patient. The directors are always looking for just the right combination of people to have a great show.

Best of luck!